Premiere: Japan-born newcomer E L L E blends noise and rap on ‘HYDRA’
slowthai, Rico Nasty and ICECOLDBISHOP feature on Take A Day Trip’s ‘Lighthouse’
Grimes drops celestial cut ‘So Heavy I Fell Through The Earth’
Yizzy links with Dizzee Rascal for the high-octane ‘Back It’
Joy Orbison and Overmono unite as Joy Overmono
Clams Casino’s experimental ‘Moon Trip Radio’ gets a psychedelic A/V accompaniment
Leon Vynehall drops new track “directed squarely at soundsystems”
Azadi.mp3 articulates end-of-summer angst on ‘Summer In The Crypt’
J Hus returns with new JAE5 collaboration ‘Must Be’
Frank Ocean teases Arca remix of Skepta collaboration ‘Little Demon’
Premiere: Ehua mines deep drum sounds on Nervous Horizon-released ‘Meteora’
Premiere: Hare Squead and Jay Prince advocate self-care on ‘Meeting With Myself’
Phrixus experiments with intricate sound design on his ‘Doubt’ EP
Four Tet shares two new tracks under his ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ alias
Premiere: Wuh Oh made the glitchy ‘Ziggy’ after dreaming about a club tune
Premiere: SOPHIE collaborator Kota Banks shares luxe pop anthem ‘BIG BUCKS’
Free download: Cressida’s ‘New Day’ twists a Wiley vocal into a shadowy dub cut
TNGHT announce seven-track EP ‘TNGHT II’: Hear ‘Dollaz’
Haich Ber Na asks “where is home?” on disorientating new EP
ALASKALASKA reveal slick remix of ‘Happyface’ courtesy of Hot Chip’s Joe Goddard
Premiere: Effie’s ‘Fairytale’ flips the concept of idealised relationships
Model Man’s ‘Beta’ channels the trial and error of computer games
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