Lewisham's next Grime hopeful is taking the genre back to its roots
Formation's Sasha Lewis met up with ALM Busy Circuits boss Matthew Allum to talk all things modular.
Jumping Back Slash brings together the best sounds emanating out of the burgeoning South African electronic music scene in the visuals for 'The Siren's Call'.
From standard Akai-shaped studio fayre to mammoth crystals, take a virtual tour of the gear that made the Club Lonely boss' forthcoming EP on Ultramajic.
From killer spiders to modular synths that'll set you in a frenzy of music gear envy, the off-kilter dance duo share an insight into the making of their critically acclaimed second album.
We uncover the music gear that made Thom Sonny Green's impressive 21-track solo debut, 'High Anxiety'.
The PTP and Gang Fatale member records a "real city romance" on his walk to work.
Orlando Volcano looks back over a fruitful month in dancehall and deliver's some essential listening.
Tiga reviews 'Alpha' – the second full-length project from Matthew Dear's minimal alias Audion.
The "most hard working man" in New Jersey gives us five inspirations behind his 10 sonic gems.
Escape From Nature boss Orlando Volcano rounds-up the best dancehall and bashment listening of May.
Alex Ridha tells us how rough and ready UK rave classics and the smooth indie of Poliça shaped his new album.
More Other Features
THEY. discuss the return of rock music, being in the booth with Timbaland and drop 'U RITE' ahead of their new album, Hyena.
Paul Kalkbrenner explains his new time capsule concept to Dummy
The cuddly house duo deliver a ten best to soundtrack the summer '17 festival season
Mr Bassline himself digs out a bagful of classic tracks and upfront cuts
Formation's Jonny Tams shares a list of his favourite 'Big Dawg' recording sessions.
Dummy sat down with the enchanting Kim Ann Foxman for a wide ranging chat before she embarked upon her b2b set with Maya Jane Coles for Boiler x Ballantine's True Music platform.
In the first of a two-part feature on the underground musicians co-opting the icons of hi-def capitalism for their own ends, Adam Harper charts the rise of business class lounge music and the selling of digital smoke.